A Celebration of Materiality, SIN Presents the FIELD Collection

If we get granular, we are all a product of our environment, choices, and innnate programming. Revolving around a singular point of view, we have no choice but to embody the principles that were instilled early, even if we choose to release them later. The FIELD Collection by SIN serves a similar function within the home – lighting that explores the materiality of the shade as principle, perhaps inviting us to explore how we inherently diffuse ourselves.

A minimalist display of geometric objects and wall-mounted lamps in neutral tones, with a clay block and various square and rectangular fixtures arranged on white platforms.

The system is simple, yet considered: a panel attaches to the wall, with a plate inset in the back to hold a lighting element. Once assembled, the light receives a shade, coming in a multitude of materials. The shade is held in with a washer and screw system, allowing any flat plane to be a possibility. Coming in 120 possible combinations, the sky is the limit with these statement pieces, speaking to the longevity and attention to detail at SIN, all with the recognition that tastes might change over time. As each version, with its distinct finish, thickness, and density, will handle light differently, each too will add its own voice to the conversation.

A collection of square and rectangular modular objects, some illuminated, displayed on geometric white platforms and a cylindrical pedestal with various textures and finishes.

This flexibility in design lends the FIELD system to many more places outside the home – offices, schools, and restaurants all have areas that could use a bit more warmth. Material choice and spatial configuration is essential for determining a look, ultimately becoming a partnership between the designer and the properties of light itself.

Geometric objects made of materials like cork, plastic, and metal are arranged on a cream-colored tiered surface with soft lighting.

“FIELD began as a question of how light behaves rather than how an object looks,” says Virginia Sin, Founder and Creative Director of SIN. “By holding the form constant, we were able to focus entirely on perception: how light settles onto a surface, how it changes with material, and how it shapes the feeling of a space.”

Various geometric light fixtures and square components are arranged on beige platforms, featuring different materials and illuminated panels.

A wooden chair with a white cushion sits on a green rug near a beige wall with three square wall sconces emitting warm light.

A wooden chair sits on a blue rug near a beige wall with three illuminated, sculptural wall lights arranged in a row.

Minimalist room with a small wooden table, a framed artwork on a beige wall, and a square wall light emitting a soft glow.

Virginia Sin makes home goods for the heart and soul. Handcrafted and deeply considered, each piece tells a story of the moments that make up a life. Spanning sculpture, lighting, and decor, she holds the warmth and delight that design can bring close to her Brooklyn-based practice, creating objects with respect for the hands that make them.

A wooden chair with a dark seat is placed near a beige wall with a square textured wall light fixture.

To learn more about the FIELD Collection by SIN, visit virginiasin.com.

Photography courtesy of SIN.

Growing up in NYC has given Aria a unique perspective into art + design, constantly striving for new projects to get immersed in. An avid baker, crocheter, and pasta maker, handwork and personal touch is central to what she loves about the built environment. Outside of the city, she enjoys hiking, biking, and learning about space.

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